March 24, 2018 – Lollapalooza, Autódromo de Interlagos, São Paulo, BRA

Show Notes:

Livestreaming on SiriusXM and local television in Brazil, the final night of the South American tour kicks off with a slow-driving Wash. Early Do The Evolution gets the crowd going. Can’t Deny Me includes an intro referencing the youth-led, gun…

Show Notes: 

Livestreaming on SiriusXM and local television in Brazil, the final night of the South American tour kicks off with a slow-driving Wash. Early Do The Evolution gets the crowd going. Can’t Deny Me includes an intro referencing the youth-led, gun control-focused “March For Our Lives” demonstrations. Ed’s subsequent introduction to Even Flow asserts that the only weapon a young person needs in this world is a “fucking guitar, and a big ol’ fucking amp…like Mike McCready.” Speaking in his trademark broken Portuguese, Ed welcomes friend and original Lollapalooza creator Perry Farrell to the stage, serenading him with a “Happy Birthday” singalong, leading into a pounding cover of  Jane’s Addiction’s “Mountain Song,” with Farrell sharing lead vocal duties with Ed. Pulled Up is played for the first time since 1992, brief yet poignant. Ed dedicates Better Man to Stone for his conservationist work in the Amazonian rainforest. Hold On is played for only the 5th time and the first since 2014. Ed introduces his new, Brazilian-made green guitar before Lukin. Short encore after a long main set. A rushed Ledbetter concludes abruptly to meet the local curfew.

Written by: Jeff Benanto


November 14, 2015 – Estádio do Morumbi, São Paulo, BRA

Show Notes:

The band takes the stage less than 24 hours after the terrorist attacks that took place in Paris during an Eagles of Death Metal concert where 89 were killed. Ed is wearing his traditional peace sign shirt, Jeff’s shirt reads…

Show Notes: 

The band takes the stage less than 24 hours after the terrorist attacks that took place in Paris during an Eagles of Death Metal concert where 89 were killed. Ed is wearing his traditional peace sign shirt, Jeff’s shirt reads “Unfuck the World” and there’s a picture of the Eiffel Tower drawn with a sharpie on Matt’s bass drum. They open with a soaring version of Long Road that sets the tone for an emotionally charged evening. Following Of the Girl, Ed addresses the crowd in Portuguese. Although later claiming his Portuguese sounds like “pieces of shit,” his words loosely translate to “love goes out to the people in Paris right now, there is healing we need to do together.” A powerful Love Boat Captain follows, with the lyrics being changed to “lost many friends we’ll never know, just only yesterday.” At the end of the song, the crowd sings along with Ed, repeating “love” back and forth. The crowd does a tremendous job of singing the lead guitar parts on Do the Evolution. Ed remarks on the incredible crowd size, saying if the entire band went into the crowd to shake their hands, it would take a few years to complete the job. During Lightning Bolt, the harsh wind and rain and wind forces the GA area to be evacuated. With the conditions being so poor, the crew gets the band to briefly exit the stage so they can lay tarps over the equipment. Ed makes sure the crowd is okay and blames himself for the incident. Without the rest of the band on stage, Ed calls an audible, picking up an acoustic guitar and playing a version of Elderly Woman with a beautiful intro. As the crowd sings along with every word, the rain dies down enough for the band to come back on stage, with Ed saying “come on Mikey, fix this shit!” before a blistering Even Flow. Come Back is another emotional dedication to the Paris attacks. The rain pours down again during Better Man, but the crowd and band play through it with a strong performance. The RVM jam is short but stellar, Matt leading the way. After the break, Imagine, Sirens and I Am Mine continue the theme of healing. During the intro to Porch, Ed plays a bright green guitar that depicts the Brazilian flag, and then later makes his way into the crowd. The crowd sings the guitar melody at the end of Black, and it’s “We didn’t belong together” tonight, Ed adding in the “hey hey, it’s ok” lyrics from Sonic Youth’s Androgynous Mind. Alive, Rockin’ In The Free World and Yellow Ledbetter seemingly end the night, but after the band leaves the stage, Ed calls them back out for one more song, and they treat the crowd to All Along The Watchtower in a 3rd encore to officially close this emotionally charged evening.


March 31, 2013 – Lollapalooza, Jockey Club, São Paulo, BRA

Show Notes:

Small Town is jovial and vowel-heavy to open, getting the enormous crowd warmed up before an energetic Why Go. Ed encourages chants from the audience prior to Mike’s clear and crisp Corduroy solo. Stone is tapped into the energy this…

Show Notes: 

Small Town is jovial and vowel-heavy to open, getting the enormous crowd warmed up before an energetic Why Go. Ed encourages chants from the audience prior to Mike’s clear and crisp Corduroy solo. Stone is tapped into the energy this night as well, as indicated by his rhythm and dance moves. Ed checks in with everyone on how they’re doing, speaks Portuguese briefly, and offers a “chocolate egg called Olé”. Lights go out and flip on again to a short succession of screams into Do the Evolution. Ed takes a moment during Wishlist to look up from his solo to engage the audience in a sing and clap along. The crowd rolls like a sea of flowing arms during Even Flow, Mike’s solo is long and aggressive with a markedly ‘70’s sound. Nothingman ends with a passionate last verse. More soccer chants before Daughter, and Ed walks the side extensions of the stage to pay a visit to the vast crowd. Ed begins World Wide Suicide with some major guitar distortion. Ed thanks the crowd with a Portuguese accent, rather than in Portuguese, discusses making a new album, and asks for help singing Jeremy. Entire band is soaked from the heat by State. Lengthy, anthemic RVM bridge with an “I won’t forget” repetition added midway, and a drum solo to round things out. Stone goes hard on the outro and the strobe lights add to the atmosphere. 6 “Obrigado”s end the main set. Ed thanks the Flaming Lips, Queens of the Stone Age, Puscifer, Perfect Circle, Maynard, and “Red Wine.” Mike and Jeff play off each other during Given to Fly. There’s a bit of call-and-response with the crowd on Not For You, and Stone closes out with a great solo which Ed transitions into Modern Girl. Black is beautiful, with Stone making his way over to jam on the outro with Mike. The audience shows massive appreciation with perfect “doo doo doo’s” and Ed agrees. I Believe in Miracles is dedicated to the Ramones and a “hey ho, let’s go” chant segues into Go. Baba gets a wild response, a super combo with Matt’s drumming and Mike’s guitar, and some classic tambourine antics. Ed thanks the crowd “very, very, very much” and gives props for being one of the safest and best crowds to play for. The show is brought to a close with Yellow Ledbetter, after which he exchanges his wine for a beer and a Brazilian flag before a bow and a goodbye.


November 4, 2011 – Estadio do Morumbi, São Paulo, BRA

Show Notes:

The band hit the stage with a blast of energy starting the show with Go followed by Do The Evolution. Stone sets the tone with a blistering solo. From there, the band burned through Severed Hand, Hail, Hail and Got…

Show Notes: 

The band hit the stage with a blast of energy starting the show with Go followed by Do The Evolution. Stone sets the tone with a blistering solo. From there, the band burned through Severed Hand, Hail, Hail and Got Some. Ed addressed the crowd commenting how beautiful they are. The energy slowed for Elderly Woman, but quickly picked back up with Given to Fly and Gonna See My Friend. The crowd got involved singing on Wishlist, carrying the “ah ah oh oh” after the band wrapped up the song. The band continued selecting songs from Backspacer, breaking out Amongst the Waves, and Setting Forth seamlessly transitions into Not For You. The band has back-to-back false starts for Unthought Known and The Fixer, before the home stretch of the first set with Once and Black.

Coming back from the encore break, Ed gives thanks to those in the crowd who came out five years ago to see them. He also thanks X, the opening band, going into a story about his younger days of getting a fake ID to get into a show to see X, ending up on the rail and ending up holding a beer for the lead singer and passing it back and forth to her all night. Just Breathe opens the encore, but leading into Inside Job, Ed shares the first time he heard the song when Mike played it for him in a hotel room in São Paulo. Matt jumps ahead in the set by starting the drum beat for Why Go before the band resets and jumps into State Of Love And Trust. Being in South America, Ole makes an appearance with a lot of energy from the crowd. The first encore wraps up with Why Go and Jeremy.

Starting encore two, Ed leads the crowd in a chant and the band breaks into Last Kiss. Halfway through the song, the band gets out of sync. However, the crowd continues singing the song, allowing the band to regroup and continue playing the song. The set wraps up with Better Man, Spin the Black Circle, Alive, Baba O’Riley and Yellow Ledbetter to end the show.


November 3, 2011 – Estadio do Morumbi, São Paulo, BRA

Show Notes:

Night one of this South America 2011 leg is actually the second scheduled São Paulo show after the 11/4 gig sold out. The cavernous Estadio do Morumbi was not quite full for this added show, but the energy and performances…

Show Notes: 

Night one of this South America 2011 leg is actually the second scheduled São Paulo show after the 11/4 gig sold out. The cavernous Estadio do Morumbi was not quite full for this added show, but the energy and performances more than filled it up. Release sounds huge with Ed’s vocals sounding well rested and raring to go for this next tour leg. This version includes an “oh dear John” lyric for Johnny Ramone. Primed by Release, the band offers a classic escalating run of Corduroy, Why Go and Animal to get the crowd pogoing. Ed then leads a brief swirling feedback drenched e-bow jam before the band drives hard into World Wide Suicide with Stone particularly locked in. After Got Some, Ed greets the crowd in some approximate version of Portuguese saying good evening we are happy you are in São Paulo, thank you for being so devoted. Ed misses a lyric in Unthought Known singing the “swallowed whole” part early instead of “working hard”, but stays on beat so it’s barely noticeable. Ed appears to indicate Small Town is next with the “1-2-3-4-2-3” count off, but pulls back as the crowd breaks into an “ole, ole” stadium chant with the band joining behind them for an extended fun jam. Matt then stands out with a controlled pummeling of his kit on Whipping, which makes its sole appearance on this leg. Ed uses a lyric sheet during the strobe heavy South American debut of Ole. Jeff and Stone’s backup vocals in the outro add some frantic energy to the new song. A late in the set Save You highlights the back end with Jeff and Matt throwing down hard. There was no traditional South American guitar sing along in Do the Evolution.

Ed introduces the band at the start of encore 1 in Portuguese leading into a vibrant Small Town. Just Breathe is a full band version and afterwards Ed tips his cap opener X. Ed then switches to Portuguese and mentions The Ramones playing Brazil and says Come Back was composed for Johnny Ramone. Alive features Mike switching over to Stone’s side during his solo to sear both sides of the crowd equally. Black closes with Ed doing a wordless high register vocal and Mike stinging it with a few piercing notes. Better Man is concise with Ed opting for a windmill Townshend finish in lieu of a tag. Ed then remarks:

“Obrigada. You know most Americans are a bit stupid when it comes to languages. We don’t know many. That’s I guess why we are so thankful that we play music which seems to communicate to people just about everywhere… It’s been five or six years since we’ve been here…. we see the Brazilian flag at more of our shows than any other flag, so we are very happy to be back with all Brazilians.”

The show finishes up with RVM getting an under-used nod as an encore 2 anchor before RITFW finishes things out featuring a Brazilian flag lyric reference “There’s colors of the street, green, yellow and blue”. Setlist edits for encore 2 had RVM moving from after Comatose to before RITFW, Spin The Black Circle being switched to Black and Wasted Reprise being cut before Better Man.